One artist I'm familiar with is Miranda July.

I plan on watching her directorial debut, "Me and You and Everyone We Know," again tonight. I had bought this independent film on sale for $4.99 at Blockbuster a long time ago. I certainly don't regret that whim purchase. It teams simplicity in storyline and depth in characters to create a unique film. In other words, it's almost as if you are reading a movie. Or watching a book.
(Here's the trailer)
Right now I'm reading her book "Un bref instant de romantisme" in, you guessed it, French. Not sure whether or not there's an English version of this floating around somewhere. That doesn't seem to make sense but it testifies of how far-reaching and worldwide celebrated her work is. Check out how many languages she's published in.
There aren't many contemporary artists whose fame and successes are so widespread. I think her quirkiness translates as a style that her audience can recognize from movie to book and vice-versa. I mention her worldwide success because what most strongly draws audiences to her overall creative style may be that it appeals to more senses than traditional art. She teams strong visuals, narrative voice, and simple English to convey how the loopiest ideas can work to make life more interesting and maybe even purposeful. And her work can be appreciated by people who can't hear or are hard of hearing. I watched this clip without sound and I still bust out laughing. In the library.
Who are these people like Miranda July that just show up in our lives like a koala in the tree outside your window? It's like, Man, you are cute and definitely fun but where did you come from? Outerspace maybe? Because she dips into music, contemporary art, creative writing, Miranda July astounds with how much she can juggle. Is this where contemporary art is headed? An integration of all realms of creativity? Or at least a way to connect all of them? Her style no matter what medium reminds me of the sort of snow-ball conversations you have with your friends. You get a little outlandish. Hopefully you get a little silly! In the end you get to learn a little bit more about how your friends' minds work. Miranda July, simply said, seems like she would be a cool friend to have.
Think about the design you see in your everyday life. How does it stimulate you? Now compare the design you see on say, the Aggie Campus versus what you would see in a more urban setting. Maybe even versus the design you see in Downtown Bryan.
Because I am not a student in the Visual Arts Department here at A&M, it's almost awkward trying to get this sort of organization back on its feet. The connection I had, lovely Katie Smither, has turned to the dark side and left for UT. I don't blame her. The school for arts there is eons away from what we have at A&M. Since this is my final year here, I figure: hell, I'll go for it. Let's make art more prominent -- or at least more appreciated.
Lately I've been touring the buildings on campus and studying the architecture (50% because of the hope that my stolen phone will show up in a lost&found and 50% because of simple curiosity). You can blame the latter 50% on a certain Ms. Ayn Rand and her book The Fountainhead. Changed my life. Anyway, something that concerns me is that no one really knows what the Langford building looks like. It could be nicer, in terms of an "art school worthy" building, but it does its job. There are stimulating colors; there are giant posters proclaiming messages and provoking thought. Just today, I passed the windows of one of the student cafeteria/lounges. From outside the view was this: students with their legs up, eating sandwiches, engaging in conversation against a humongous cerulean backdrop that boasted the message:
It's not about the world of design. It's about the design of the world.
Chew on that a bit, and enjoy this clip from Me and You and Everyone We Know.





